Music

I play Guqin on a daily basis, which is a seven-string Chinese zither that has a history of about 3000 years. Traditionally, people play it outdoors in a mountain setting, a garden or a small pavilion. This quiet instrument has no more than 4 octaves, and a serene moonlit night is often considered an appropriate time for performance. You will also see it pretty much often in the Chinese ink brush paintings…

I guess it is true that every string instrument player is interested in music theory, as this is a tradition dating back to Pythagoras who used strings to support his idea that the planets move according to mathematical equations and thus resonate to produce a symphony of music. Traditionally, Guqin employs a distinct and intricate system of musical temperament, diverging from the globally accepted equal temperament and aligning more closely with just intonation, thereby avoiding disharmony. As an intuitionist, I also agree that any musical scales describe a community/relation of tones and therefore the pitches in music are relative, not absolute. Ok so now I am challenging the common belief of objectivity in physics :-) Recently, I have developed a computer program for Guqin to calculate the finger positions of each tone, given the musical modes or scales that the composers might need for writing pieces. Intuitively, this endeavor parallels adding frets to a guitar! Please do not hesitate to reach out if you are interested in using it for composition.

Some recorded pieces